脑电站2号 | Brain Station 2

脑电站2号
脑电感应装置
神经工程媒体艺术项目
肉媒体 + 清华大学神经工程实验室
Brain Station 2
Brain Sensing Installation
Neural Engineering Media Art Project
MeatMedia +
Laboratory of Neural Engineering, Tsinghua Univ.
2012

“脑电站2号”受邀参加美国硅谷 2012 ZERO1 新媒体双年展。

项目团队:
肉媒体:吴珏辉、邵鼎、汪丰
清华大学神经工程实验室:洪波、张丹、胥红来、郑霄、郭浩赟

观众头戴脑机接口(BCI),它将捕捉来自观众视觉皮层的脑波信号(Brain wave),使得眼睛的睁开和闭合成为切换感知模式的开关。

闭眼将点亮近在咫尺的灯泡,光的穿透力使我们依然感受它的存在,却无法清晰辨识,在我们脱离视觉的同时,我们将更全面的感受周围,感知模式的切换带领我们进入冥想状态。光似乎是来自你的内部世界,和自身形成一种共鸣,随着闭眼的持续,光将越来越亮;直到我们睁开眼睛,灯泡将渐渐熄灭,同时我们也逐步回到现实。

Project Team:
MeatMedia: Wu Juehui, Shao Ding, Wang Feng
Laboratory of Neural Engineering: Hong Bo, Zhang Dan, Xu Honglai, Zheng Xiao, Guo Haoyun

Audience are required to wear BCI, which captures brain wave from visual cortex, turning opening and closure of eyes as a perception mode switch.

Closing eyes light the bulb within a short distance. The light permeates, and we can still sense it with eyes closed. Though we cannot identify it with a clear visual image, the absence of visual senses allow us to perceive the surroundings even more thoroughly. This switch in perception mode takes us to a moment of meditation.

You feel as if the light came from within your body and resonated with yourself. The longer you close your eyes, the brighter the light becomes. The bulb will not switch off until we open our eyes, while bringing us back to the reality.

ZERO1 双年展 | ZERO1 BIENNIAL 2012

2012 ZERO1 新媒体双年展
美国硅谷
2012 ZERO1 BIENNIAL
Silicon Valley, US
2012

“脑电站”神经工程媒体艺术项目的系列作品受邀参加美国硅谷 2012 ZERO1 新媒体双年展。届时,将展出该项目系列作品的最新版本。

时间:9月12日至12月8日
地点:美国硅谷

September 12 – December 8, 2012
Opening: September 12-16, 2012

Exploring the theme “Seeking Silicon Valley,” the 2012 ZERO1 Biennial, with partners, including the San Francisco Museum of Modern Art, Berkeley Art Museum, UC Berkeley’s Center for New Media, and Stanford’s Center for Creativity and the Arts.

Under the thematic Seeking Silicon Valley, the 2012 ZERO1 Biennial proposes that contemporary art practice can re-imagine the idea, the place, and the experience of Silicon Valley. However, the ZERO1 Biennial is not only about the geographical region of Silicon Valley; it’s about investigating how the process of seeking can create a platform for creativity and experimentation centered in Silicon Valley while inviting contributions from around the world.

ZERO1’s Biennial exhibition, also titled Seeking Silicon Valley, will remain on display at the ZERO1 Garage from September 12 – December 8, 2012 and will serve as the network hub for all Biennial programming. The exhibition features the work of 24 artists representing 11 different countires.

Reflecting the networked nature of Silicon Valley, the exhibition structure experiments with a networked model of collaborative curation. The curatorial team includes Jaime Austin (ZERO1’s Curator and Director of Programs) as Lead Curator, and exhibition co-curators Dooeun Choi (South Korea), Gisela Domschke (Brazil), Michelle Kasprzak (Canada/the Netherlands), and Regina Möller (Germany).

Seeking Silicon Valley Artist List:
Christopher BakerLucas BambozziAram BarthollNelly Ben HayounMaurice BenayounPersijn Broersen & Margit LukácsShu Lea CheangJegan Vincent de PaulFrederik De WildeGambiologiaChristopher HaasLynn Hershman LeesonWendy JacobEduardo KacPe LangJae Rhim LeeMeatMediaMichael NajjarMarisa OlsonKarina Smigla-BobinskiHojun SongStamen DesignStephanie Syjuco, and Thomas Thwaites.

 

LINK
http://www.zero1biennial.org/content/meatmedia

AIGA 设计之术沙龙 AIGA Tech Salon

吴珏辉,肉媒体

跨界中心 Crossover Center

AIGA中国总监简善梅(Amy Gendler)主持沙龙

Benjamin Bacon, Parsons The New School for Design

王霞 NOKIA研究院(NRC)主任研究员

陆凡,触景公司(Senscape)

Sergio Paolantonio,微软研究院

9月30日晚,AIGA Tech Salon 在跨界中心(Crossover Center)举行。来自纽约Parsons学院的Benjamin Bacon、NOKIA研究院的王霞、触景公司(Senscape)的陆凡、微软研究院的Sergio Paolantonio和肉媒体的吴珏辉分别就各自的领域作了精彩的演讲。吴珏辉以“在干和湿之间/Between Dry & Wet”为线索展开话题,并着重介绍了和清华大学神经工程实验室合作的艺术项目“脑电站”。整个沙龙持续3个小时,但听者不累。AIGA对这次论坛的组织工作做得很到位,尤其体现在对演讲主题的挑选和现场节奏的把控,果然是老牌的国际设计协会。

脑电站 @延展生命 Brain Station @Translife 2011

脑电站
Brain Station
2011
TASML Pilot Project

Project Team:
肉媒体:吴珏辉、邵鼎、汪丰、郭浩云
清华大学神经工程实验室:洪波、张丹、胥红来、郑霄
MEATMEDIA: Wu Juehui, Shao Ding, Wang Feng, Guo Haoyun
Institute of Neural Engineering: Hong Bo, Zhang Dan, Xu Honglai, Zheng Xiao

Medium:
脑机接口(Brain-Computer Interface)、半透明外壳、发光体、穿戴系统
Brain-Computer Interface, Translucent shell, Light source, Wearable system

我们探索“脑能”在新媒体艺术中的基因排列,架设个体、群体、生命体、非生命体间的“情感接口”,尝试身体─脑─媒体之间的游戏规则,最终呈现为“脑电站”系列作品。
生物的潜意识流只能在脑的黑匣子里封闭涌动?我们尝试“点燃”脑,使意识的微弱波动增幅并赤裸呈现 。
在 前沿脑机接口(Brain-Computer Interface)的链接下,个体生物能转化为光电能, 头脑被异化为灯泡,成为可见光辐射源。受抽象声波干扰个体情绪后,脑机接口捕捉脑部意识的反馈,最后映射到灯泡的明暗变化。随着情绪波动而变幻的光,也在 个体周围结成辐射性的情绪力场,由此完成输入与输出、感性与理性之间的能量的链式反应。
该项目是TASML(清华大学艺术与科学中心媒体实验室)的试点项目之一,是艺术家与科学家的一次头脑对接。在此,脑机接口不但是一种物理接口,更是一种跨领域的意识接口。

We explore the possibility of using“brain power” in new media art by constructing “emotional interfaces” between the individual and the group, the organism and the non-organism, in experimentation of a game among body — brain — media.
Is the subconsciousness of the living organism only confined to spaces of the mind’s black box? We attemp to ignite the mind, by amplifying the weak brainwaves and translating them into real-world events.
On the basis of the cutting-edge Brain-Computer Interface (BCI) technology, the biological energy (the electrical activities of the brain) is transformed to a photovoltaic energy: the brain activity is expressed by a light bulb, an emitting source of visible light. When the individual’s moods are affected by abstract sound waves, the BCI captures the reactions of the mind, and projects the brain activity to a light bulb. The light intensity of the bulb changes in accordance to the individual’s mood, forming an emotional force field surrounding the individual, further impacting upon his/her mood. In this process, a chain reaction of energy transfer between input and output, sensibility and sense is established.
“Brain Station” is not only one of TASML’s (Tsinghua Art & Science Media Laboratory) pilot projects, but also an interface between artists and scientists. Here, the brain-computer interface is beyond a physical interface: it is an interface of consciousness between different disciplines.

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USB器官 @延展生命 USB Organs @Translife 2011

USB器官 USB Organs
2009-2011

Medium:
头盔、头戴式显示器、USB摄像头、USB麦克风、计算机、程序
Helmet, HMD, USB Camera, USB Mic, Computer, Program

一个器官蜕化成USB接口的人,通过外接摄像头、麦克风、扬声器等“USB器官”(USB Organs) 来体验某种存在感。未来的人们或许不再需要肉身,至少器官可以被替换。我们更乐于接受各种“USB器官”的信号,而日渐感受到生理器官的局限。或许,我们最终期盼的是让自己成为一个USB Hub,即插即用。

“延时器官”是USB器官系列作品之一,头盔内嵌一副HMD(头戴式显示器)和一个麦克风,同时外接一个USB摄像头和一个USB麦克风,通过设定延时长度,来决定感官世界与客观世界的时差──身处现在与过去两个时间流,体验由延时导致的时空错位感。作品向观众开放,现场观众可以穿戴该设备自行体验。

A person whose organs have evolved into USB sockets is connected to cameras, microphones and speakers as his sensory substitutes to feel his existence. A future human being may not need a corporal body, at least his / her organs can be exchanged with electronic devices. We anticipate our body as a universal plug / sockets that can be utilized at any moment and at any place.

The audience wears a helmet that is equipped with a head mounted display and a earphone. A USB camera and USB microphone are also connected to the helmet, which function as tentacles to sense the external world. The audience experiences temporal and spatial dislocation via a preconfigured duration of time-lapse which determines the time difference caused by the two time streams: time obtained through the audio-visual senses within the helmet and the time projected from outside the helmet.

USB 器官@散焦当代艺术展 USB Organs @Defocus – Contemporary Art Exhibition

USB 器官在散焦当代艺术展 (Defocus – Contemporary Art Exhibition)的现场,2010年12月

USB 器官 USB Organs @Moca

USB 器官在上海MOCA《心镜》文献双年展 (Reflection of Minds MoCA Envisage Biennale) 的现场

倒计时 (鸵鸟版) Countdown (Ostrich version) @INDAF 2010

作品概念图的真人版!图中的“鸵鸟”是四方幸子(Yukiko Shikata),日本ICC的策展人。

感觉训练 Sense Exercise @INDAF 2010

青年媒体艺术家:中国、日本和韩国

在韩国仁川国际数字艺术节(INDAF)的“感觉感觉”展览中,来自中国、日本和韩国的青年媒体艺术家们进行了一次集体亮相。TASML策划了展览的中国板块。整个艺术节在韩国仁川的Tomorrow City举办,从9月1日持续到9月30日,为期一个月。

YMA: China, Japan, and Korea

TASML organized the Chinese young media artists’participation in the exhibition SENSE SENSES at Incheon International Media Art Festival, which brings together and showcases (YMA) Young Media Artists from China, Japan and Korea. The Festival ran from  September 1 to September 30 2010 in Tomorrow City, Incheon, Republic of Korea.

感觉训练

策展人:张尕

数字技术的发展明显拓展了表达媒介的可能性。就艺术探索的层面而言,表达媒介已经参与到我们的整个感官系,同时增强了我们与外部世界的感性接触 。因此,在我们与不断延展的身体空间和媒介化的人类活动领域的关系中,感应技术及其他数字工具已经处于其核心地位。

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USB 器官 写真集 USB Organs Photo album